Tímea Daradics – clavycimbalum

The Programme

Tímea Daradics – clavycimbalum

In descort (after Anon.: En discort sunt Desir et Esperanche)
15th c. I-Fzc MS 117 (Codex Faenza); f.36
Imperiale sedendo (after Bartolino da Padova: Imperiale sedendo)
15th c. I-Fzc MS 117; f.74v- 77

Non piú infelici (1355-1436) (F-Pnm Italien 568; f.34v-35)

Preambulum in d 15th c. D- Mbs. MS 3725 (Buxheimer Orgelbuch); f.134
Fortune (after John Bedyngham: Gentil Madonna non mi abandonare)
15th c. D- Mbs. MS 3725 (Buxheimer Orgelbuch); f.66v

Ave mater o Maria 1376-1445 PL-Wn MS III.8054 (Codex Krasinski); f.186v

Maria tusolacium 15th c. D- Mbs. MS 3725 (Buxheimer Orgelbuch); f.43v

So ys emprentid GB- Ob MS. Ashmole 191; 196v

So ys emprentid /duo/ 15th c. Ox5
Ich sachs eyn mols
ca.1480 PL-Kj Berlin MS Mus.40098 (Glogauer Liederbuch);
T: L.7v-8r; D: f.C6r; C:f.A3r

Pres du soleil 1380-1416 I- MOe MS M.5.24 (Modena A) f.16

Se Zephirus late 14th c. F-CH MS 564- (Chantilly Codex); f.19

The Artist

Hungarian-born keyboard player, Tímea Daradics (b.1997) captivates the attention of her listeners with her elegant, sophisticated and brilliant style. Having keyboard repertory in her hands from the 14th to the 19th century makes her one of the most versatile early music performers of her generation.

Currently based in Basel, Switzerland, she is engaged in medieval and renaissance music while pursuing post-graduate studies at the Schola Cantorum Basiliensis with Corina Marti. She is gaining international recognition, with performances including recitals at the Utrecht Early Music Festival Fringe (NL), Banchetto Musicale Festival (LT), Sumskas Manor Early Music Festival (LT), the Fortepianarium in Zabrze (PL), the Amaryllis Fleming Concert Hall (UK) and several other venues across the Netherlands, Switzerland and Hungary. Tímea is founder of the groups Cibus Ensemble and Duo Emea.

Tímea’s aim of being able to master all existing keyboard instruments led her to discover earlier and earlier repertories and instruments. After studying two years with fortepianist Geoffrey Govier and harpsichordist Terence Charlston at the Royal College of Music in London, she completed her Bachelor’s degree at the Royal Conservatory of the Hague, in the fortepiano and harpsichord classes of Bart van Oort, Siebe Henstra and Patrick Ayrton.

Searching for new challenges and her desire to build a versatile and colourful musical identity led her to the prestigious Schola Cantorum Basiliensis, where she worked for her Master’s degree with Corina Marti and Francesco Corti on medieval and renaissance keyboard instruments, harpsichord and organ. During her Master’s program she has been generously supported by the Basel-based Cantilena Stiftung. Tímea is also engaged in the musical education of the new generations as a private teacher and leading educational activities. Along with her teaching, she works as an organist in the Canton of Basel-Landschaft.